READING TIPS

Read Academic Texts

Read in your free time!IELTS texts are “general academic texts”. This means they are taken from sources such as textbooks and specialist magazines and journals. If you are not familiar with reading these kinds of texts in English it is essential that you start reading them in your free time so that you are used to the types of language and structure used when you meet them in the exam. Three typical sources for IELTS texts are (in order of difficulty – easiest first) the National Geographic, the New Science fiction book and the Economic   book. You can get these magazines in most newspaper.

Focus

Focus on the text first, the questions second! A good understanding of the text helps you answer the questions more efficiently and effectively and you need to practice.

Categorise

IELTS exam writers select a range of specific types of texts. Learning to recognise the type of text you are reading can help you predict its structure and therefore understand it more quickly. There are four types of IELTS texts a) analytic texts, which discuss the reasons why something happened or make recommendations or explain a concept b) descriptive texts, which describe a situation, explain how something is done or categorise something c) discursive texts, in which different opinions are expressed about an issue and d) narrative texts, which explain a chronological sequence of events.

Skim

Develop your ability to skim. Skimming is reading quickly by skipping over unimportant words like prepositions and ignoring difficult words that you don’t need to understand. Do this to get a general idea about a text or a paragraph or to intensively search for the answer to a question.

Scan

Learn to scan. Scanning is what you do when you look for a price in an advertising text or a name in a telephone book. When you scan you do not actually need to read the text but move your eyes quickly over it. You can scan from left to right or right to left, from top to bottom or bottom to top. Do this to find the location of answers in the texts looking out for easy to spot words like numbers, dates and words beginning with capital letters such as place names.

Structure

Learn to recognise paragraph structure. This often involves spotting the relationship between the main ideas and supporting ideas in a paragraph. Paragraphs are most frequently descending, i.e. they begin with the main idea somewhere near the start and develop from there, although some, frequently the first and last paragraphs of a text, are ascending – the main idea is located towards the end. This can be particularly helpful when matching headings to paragraphs.

Overview

Get an overview of a text before dealing with the questions. Do this by reading the title and subtitle as well as focusing on the beginnings and ends (but not JUST the first and last sentences) of paragraphs. This helps you process the information in a text (and thereby answer the questions) more quickly.

Parallel Phrases

Learn to spot parallel phrases. These are different ways of expressing the same thing, such as, “I like to ski” and “skiing is enjoyable”. Many questions, e.g. YES NO NOT GIVEN questions and gap fills, test your ability to match up a similar phrase in the task with its equivalent in the text.

Don't Panic

Don’t panic when you encounter an unknown or difficult word. IELTS texts are packed with highly specialised vocabulary. Skip over difficult words which are not essential for your understanding of the text. For words you do need to understand, practise trying to guess their meaning using the overall context of the text and sentence as well as the form of the word – e.g. is it a noun or verb.

Manage Your Time

Time manage in the exam. Most IELTS candidates run out of time in the third reading section. Each text should take you roughly 20 minutes (the examiners will tell you after 20 minutes have passed). Never spend too long on a single question – guess the answer or leave it to return to later. Also if you feel you are running out of time, tackle questions like gap-fills before doing “easy to guess” tasks like YES NO NOT GIVEN questions. Don’t forget you also have to have all your answers on your mark sheet by the end of the test. A good tip is to write them on the mark sheet in pencil as you go, correcting where necessary at the end.

practice practice and practice.........

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STORY OF RUMPELSTILTSKIN

            Rumpelstiltskin

Once there was a miller who was poor, but who had a beautiful daughter. Now it happened that he had to go and speak to the king, and in order to make himself appear important he said to him, "I have a daughter who can spin straw into gold."

     The king said to the miller, "That is an art which pleases me well, if your daughter is as clever as you say, bring her to-morrow to my palace, and I will put her to the test."

     And when the girl was brought to him he took her into a room which was quite full of straw, gave her a spinning-wheel and a reel, and said, "Now set to work, and if by to-morrow morning early you have not spun this straw into gold during the night, you must die."

     Thereupon he himself locked up the room, and left her in it alone. So there sat the poor miller's daughter, and for the life of her could not tell what to do, she had no idea how straw could be spun into gold, and she grew more and more frightened, until at last she began to weep.

     But all at once the door opened, and in came a little man, and said, "Good evening, mistress miller, why are you crying so?"

     "Alas," answered the girl, "I have to spin straw into gold, and I do not know how to do it."

     "What will you give me," said the manikin, "if I do it for you?"

     "My necklace," said the girl.

     The little man took the necklace, seated himself in front of the wheel, and whirr, whirr, whirr, three turns, and the reel was full, then he put another on, and whirr, whirr, whirr, three times round, and the second was full too. And so it went on until the morning, when all the straw was spun, and all the reels were full of gold.

 2  

     By daybreak the king was already there, and when he saw the gold he was astonished and delighted, but his heart became only more greedy. He had the miller's daughter taken into another room full of straw, which was much larger, and commanded her to spin that also in one night if she valued her life. The girl knew not how to help herself, and was crying, when the door opened again, and the little man appeared, and said, "What will you give me if I spin that straw into gold for you?"

     "The ring on my finger," answered the girl.

     The little man took the ring, again began to turn the wheel, and by morning had spun all the straw into glittering gold.

     The king rejoiced beyond measure at the sight, but still he had not gold enough, and he had the miller's daughter taken into a still larger room full of straw, and said, "You must spin this, too, in the course of this night, but if you succeed, you shall be my wife."

     Even if she be a miller's daughter, thought he, I could not find a richer wife in the whole world.

     When the girl was alone the manikin came again for the third time, and said, "What will you give me if I spin the straw for you this time also?"

     "I have nothing left that I could give," answered the girl.

     "Then promise me, if you should become queen, to give me your first child."

     Who knows whether that will ever happen, thought the miller's daughter, and, not knowing how else to help herself in this strait, she promised the manikin what he wanted, and for that he once more spun the straw into gold.

     And when the king came in the morning, and found all as he had wished, he took her in marriage, and the pretty miller's daughter became a queen.

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     A year after, she brought a beautiful child into the world, and she never gave a thought to the manikin. But suddenly he came into her room, and said, "Now give me what you promised."

     The queen was horror-struck, and offered the manikin all the riches of the kingdom if he would leave her the child. But the manikin said, "No, something alive is dearer to me than all the treasures in the world."

     Then the queen began to lament and cry, so that the manikin pitied her.

     "I will give you three days, time," said he, "if by that time you find out my name, then shall you keep your child."

     So the queen thought the whole night of all the names that she had ever heard, and she sent a messenger over the country to inquire, far and wide, for any other names that there might be. When the manikin came the next day, she began with Caspar, Melchior, Balthazar, and said all the names she knew, one after another, but to every one the little man said, "That is not my name."

     On the second day she had inquiries made in the neighborhood as to the names of the people there, and she repeated to the manikin the most uncommon and curious. Perhaps your name is Shortribs, or Sheepshanks, or Laceleg, but he always answered, "That is not my name."

     On the third day the messenger came back again, and said, "I have not been able to find a single new name, but as I came to a high mountain at the end of the forest, where the fox and the hare bid each other good night, there I saw a little house, and before the house a fire was burning, and round about the fire quite a ridiculous little man was jumping, he hopped upon one leg, and shouted -

     'To-day I bake, to-morrow brew,

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     the next I'll have the young queen's child.

     Ha, glad am I that no one knew

     that Rumpelstiltskin I am styled.'"

     You may imagine how glad the queen was when she heard the name. And when soon afterwards the little man came in, and asked, "Now, mistress queen, what is my name?"

     At first she said, "Is your name Conrad?"

     "No."

     "Is your name Harry?"

     "No."

     "Perhaps your name is Rumpelstiltskin?"

     "The devil has told you that! The devil has told you that," cried the little man, and in his anger he plunged his right foot so deep into the earth that his whole leg went in, and then in rage he pulled at his left leg so hard with both hands that he tore himself in two.

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